{"id":8739,"date":"2017-12-22T12:06:07","date_gmt":"2017-12-22T20:06:07","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=8739"},"modified":"2020-06-10T09:54:17","modified_gmt":"2020-06-10T16:54:17","slug":"video-pick-of-the-week-ekaterina-zaytseva-plays-tarregas-variations-on-paganinis-carnival-of-venice","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/video-pick-of-the-week-ekaterina-zaytseva-plays-tarregas-variations-on-paganinis-carnival-of-venice\/","title":{"rendered":"Video Pick of the Week: Ekaterina Zaytseva Plays T\u00e1rrega&#8217;s &#8216;Variations on Paganini&#8217;s &#8216;Carnival of Venice&#8221;"},"content":{"rendered":"<p>A Russian guitarist who has been living in Catalonia (Spain) for many years,\u00a0<a href=\"http:\/\/ekaterinazaytseva.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Ekaterina Zaytseva<\/a> has played and taught extensively all over Europe. Here she plays a marvelous version of Francisco\u00a0T\u00e1rrega&#8217;s guitar interpretation of a piece by Niccolo Paganini<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A Russian guitarist who has been living in Catalonia (Spain) for many years,\u00a0Ekaterina Zaytseva has played and taught extensively all over Europe. Here she plays a marvelous version of Francisco\u00a0T\u00e1rrega&#8217;s guitar interpretation of a piece by Niccolo Paganini<\/p>\n","protected":false},"author":11,"featured_media":8743,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,7],"tags":[141],"class_list":["post-8739","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-news","category-watch","tag-tarrega","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/12\/EKATERINA.jpg?fit=1024%2C576&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/8739","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=8739"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/8739\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/8743"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=8739"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=8739"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=8739"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}