Different Duos Sunday #3: Enno Voorhorst (guitar) and Pauline Oostenrijk (oboe) Play Piazzolla’s ‘Libertango’ It’s actually a bit surprising to me that the combination of guitar and oboe isn’t more common than...
FREE Master Classes With Top Guitarists at Sacramento Guitar Symposium Oct. 18 and 19! We realize it’s kind of short notice, but classical-guitar players in Northern California and Nevada might want to...
Xuefei Yang Rediscovers Her Roots: An Interview and Videos BY BLAIR JACKSON (From the Winter 2015 Classical Guitar) Xuefei Yang saved the best for last. Although the...
Letter From Tokyo: The International Careers Kiyoshi Shomura and Shin-Ichi Fukuda Have Led Them Back Home BY MARK SMALL | FROM THE FALL 2018 ISSUE OF CLASSICAL GUITAR During a recent visit to Japan,...
Music to Play: Kevin J. Cope’s Spare, Mysterious ‘Pneuma’ FROM THE FALL 2018 ISSUE OF CLASSICAL GUITAR Kevin J. Cope is the current president of the Philadelphia...
Method: Leo Brouwer’s Challenging and Modern ‘Danza Caracteristica’ BY RHAYN JOOSTE | FROM THE FALL 2018 ISSUE OF CLASSICAL GUITAR Danza Caracteristica, by Leo Brouwer (b.1939),...
Guitars, a Lute, an Oud, and a Kora: 3rd Le Temps des Guitares Festival is a Hit in Southern France STORY AND PHOTOS BY SUSAN HARRISON/Vice-President, Le Temps des Guitares Association (A note from CG editor Blair Jackson:...
Album releases: Apostolos Paraskevas, Nicolas Guay, and the Niehusmann Gitarren Duo Many weeks we take a peek at recent albums or sheet music releases. Here are three of the...
Report from GFA #5: More Competition Results, and Some Final Thoughts BY BLAIR JACKSON First of all, I just wanted to mention that if you are still interested in...
Report from GFA #4: Raphaël Reigns Supreme, the Sublime Mr. Russell, and More BY BLAIR JACKSON Circumstances had me flying home from Louisville back to the San Francisco Bay Area (I...
