Cleveland International Classical Guitar Festival Starts Soon! by Blair Jackson One of the largest and most prestigious annual American guitar events—the Cleveland International Classical Guitar...
Guitar Travels in Ukraine and Bulgaria: A Tale of Two Competitions by Paul Fowles At the time of writing, much of the recent news from Ukraine has varied between...
Kenny Hill: Guitars for the Playing Elite & for the Masses by Adam Purlmutter In the early 1980s, a decade into his career as a luthier, Kenneth “Kenny” Hill...
Fearlessly Toward the Mainstream: IGF Founder and Festival Organizer Tom Kerstens A conversation between Tom Kerstens and Classical Guitar contributing editor Thérèse Wassily Saba. Dutch guitarist Tom Kerstens has...
Berta Rojas on Making a Living as a Classical Guitarist by Lawrence del Casale [Editor’s note: This article originally appeared in the April 2009 issue of Classical Guitar magazine.]...
Zoran Dukic and Marko Topchii to Play Carnegie Hall Concert by Blair Jackson Carnegie Hall in New York City is still arguably the most famous concert venue in...
Eclectic Guitarist Marc Ribot Honors his Mentor with the Frantz Casseus Young Guitarists Program The Father of Haitian Classical Guitar by Pat Moran “I didn’t want to be yet another outsider expressing...
Adam Holzman Talks Austin, Texas, Teaching, and Learning from Segovia Interviewed by Julia Crowe [Editor’s note: This article originally appeared in the April 2006 issue of Classical Guitar magazine.]...
The Next Generation: Inside the 7th Rago International Competition in Stuttgart, Germany A report from judges Graham Wade and Oyvind Lyslo The annual Rago International Competition, which took place at...
Juan Martin’s ‘Essential Flamenco Guitar: Vol. 1’ is an In-Depth Course for Absolute Beginners to Experts Steve Marsh reviews “Essential Flamenco Guitar: Volume 1” This book follows on in a seemingly ever-increasing line of...
