Romero Sunday #5: Celin and Celino Romero Play Granados’ ‘Danza Española No. 2 (Oriental)’ In what is billed on the video as the debut performance of the father-son duo of Celin and...
Report from 7th Changsha International Guitar Festival: Xuefei Yang, Xavier Jara, Duo Melis, A New Piece from Brouwer, and More BY GERALD GARCIA This was the 7th Festival in Changsha, which saw a marked increase in international participants...
Video Pick of the Week: Yenne Lee Plays Celil Refik Kaya’s Beautiful ‘For Yen’ One could reasonably quarrel with some of Yenne Lee’s repertoire choices, which occasionally veer to schmaltzy commercial pop...
Gear Review: La Cañada Model 115 is a Fine New Guitar Based on an Antonio de Torres Classic BY ADAM PERLMUTTER | FROM THE SUMMER 2018 ISSUE OF CLASSICAL GUITAR The German luthier Edmund Blöchinger is...
Recent Albums by Otto Tolonen, Duo Tenebroso, and Kevin J. Cope Some weeks we take a peek at recent albums or sheet music releases. Here are three of the...
Lesson: Use Giuliani’s ‘Studies’ to Increase Right-Hand Development BY ADAM PERLMUTTER The following article was written for our sister publication, Acoustic Guitar magazine, with steel-string guitarists...
A Lo Cubano! A Report from This Year’s Miami International GuitART Festival BY DR. SAM DESMET In 2016, the first edition of the Miami International GuitArt Festival started out with...
Video Pick of the Week: Cuban Guitarist Alí Arango Plays ‘His Escenas Del Des-Equinoccio’ I’m an unabashed fan of Cuban guitarist and composer Alí Arango, so when something new comes in from him...
Russell, Goss, Starobin and More at 3rd Altamira Shanghai Guitar Festival BY STEVE MANN for CLASSICAL GUITAR In China now, there are many guitar festivals, with my guitar teacher...
Dyens Does Piazzolla: A Parting Gift from the Late Master of Arrangement BY STEVE MARSH | FROM THE SUMMER 2018 ISSUE OF CLASSICAL GUITAR It was while studying in Paris...
