Video Pick of the Week: Marco Tamayo and Anabel Montesinos Play Boccherini’s ‘Intoduction and Fandango’ This week’s Pick is a fine version of the “Introduction and Fandango” by Luigi Boccherini (1743–1805), adapted from...
Xuefei Yang: A Classical Guitar Role Model for International Success By Thérèse Wassily Saba When Xuefei Yang first came to London to study with Michael Lewin at the...
Video Pick of the Week: Christine Petit-D’heilly Plays Gershwin’s ‘Our Love Is Here to Stay’ Inspired by a vacation visit last week to the beautiful, lakefront town of Gérardmer in northeastern France, for...
Manuel de Falla and His Love of the Guitar Though he wrote only one piece for the instrument, its voice can be heard in many of his works...
Raphaël Feuillâtre Puts His Stamp on the Classical Guitar World BY BLAIR JACKSON | FROM THE FALL 2019 ISSUE OF CLASSICAL GUITAR When French guitarist Raphaël Feuillâtre won...
Publisher’s Note, Fall 2019 TURNING THE PAGE… The digital media revolution has arrived at Classical Guitar magazine. The issue dated Fall 2019...
Recent Album Releases: Marcin Dylla, Alec Holcomb Plays Albéniz, and Lex Eisenhardt’s Baroque Discovery Some weeks we take a peek at recent albums or sheet music releases. Here are three CDs I...
Music to Play: Douglas Seth’s Lively ‘Prelude for the Victorious’ Borrows from Bach FROM THE FALL 2019 ISSUE OF CLASSICAL GUITAR Delaware (USA)-based guitarist, arranger, composer, and teacher Douglas Seth has...
Method: Bach‘s ‘Invention No. 1’ Offers a Glimpse into Baroque Style and Ornamentation BY RHAYN JOOSTE | FROM THE FALL 2019 ISSUE OF CLASSICAL GUITAR Invention No. 1, by J.S. Bach...
From the CG Vault: Odair Assad on His First Solo Album, Brouwer, Gismonti, Sérgio, and More! BY THÉRÈSE WASSILY SABA / FROM THE MAY 2012 ISSUE OF CLASSICAL GUITAR In 2010, Odair Assad made...
